Trending...
- Spokane: SPD Arrest Level III Registered Sex Offender for Failure to Register - 193
- Phinge Exposes Massive AI Security Risks, Claiming Its Patented Hardware-Verified Architecture Is The Only Safeguard Against Surveillance Capitalism
- On the Boards: Proform Builds Announce New Construction in Alki, Seattle
RockNTix Ignites a 'NO FEE' Ticketing Revolution and Competes with the Big Players
LOS ANGELES - Washingtoner -- Mo Abersheid, owner and founder of LA-based RockNTix – a startup that offers NO FEE event ticketing as well as livestreaming, video and music sharing services – discusses how he went from experiencing homelessness to building a platform to make live music more accessible to everyone. Mo discusses the importance of live music venues and how he created a way for people to continue seeing live shows and avoid the growing services fees charged by other ticketing platforms.
After a short time experiencing homelessness, Mo Abersheid was able to get himself back on his feet when he started to work at a small event venue in Los Angeles. As a lover of live music, he wanted nothing more than to enjoy it himself. Unfortunately, even with a job, Mo found that he and many of his friends were unable to afford the ticket service fees charged by the ticketing platforms used by LA's many live show venues in addition to the ticket itself.
"Everyone who wants to should be able to experience the magic of live music, so I thought that creating a ticketing platform would help bridge that gap of pricing. I asked the small venue I was working for if they would try out a no fee online event ticketing platform I planned to launch - they said yes - so that's exactly what I did," Mo added. "I had an opportunity to build a business and my employer could potentially be my first client."
More on Washingtoner
Mo developed the software specs and hired coders to code RockNTix, a platform where the venue or independent artist sells tickets directly without the service fees to help them more easily connect with their fans. A few months after it launched, COVID-19 hit, which meant no more live shows and no tickets to sell through his platform. The bump in the road only inspired Mo to adapt to the new times and embrace the digital world entirely.
"Necessity is the mother of invention," said Mo. "Since people were no longer able to go to the venues to see live shows, I decided to bring live shows to the people, and launched a new live streaming service called RockNTV where artists could perform online and upload their videos and music and earn an income, and people could watch safely from their homes."
Mo didn't stop there, he has now branched out into the Metaverse, where independent artists can now be seen by an even broader audience as the Metaverse grows.
Mo is changing the industry by giving artists and venues new ways to get in front of fans and a foothold in the Metaverse by allowing fans to experience live performances like never before.
More on Washingtoner
"Not only are people able to continue seeing live performances, artists are able to perform, and venues are still able to sell tickets and thrive," Mo continued. "And now that we've introduced the Metaverse into RockNTV recently, people with new technology like the Oculus can really feel like they're at their favorite venue with their friends."
"But, how does RockNTix make money? Through ads. Companies like Meta and YouTube earn billions annually through ad revenue, and we expect RockNTix to follow suit as our user base grows," Mo added.
As a tech startup, RockNTix is currently seeking funding to begin a major marketing campaign to get the word out about RockNTix. "RockNTix will change the ticketing industry forever and become a global force by democratizing the way fans see their favorite bands," Mo added.
For more information, contact: https://rockntix.com/
After a short time experiencing homelessness, Mo Abersheid was able to get himself back on his feet when he started to work at a small event venue in Los Angeles. As a lover of live music, he wanted nothing more than to enjoy it himself. Unfortunately, even with a job, Mo found that he and many of his friends were unable to afford the ticket service fees charged by the ticketing platforms used by LA's many live show venues in addition to the ticket itself.
"Everyone who wants to should be able to experience the magic of live music, so I thought that creating a ticketing platform would help bridge that gap of pricing. I asked the small venue I was working for if they would try out a no fee online event ticketing platform I planned to launch - they said yes - so that's exactly what I did," Mo added. "I had an opportunity to build a business and my employer could potentially be my first client."
More on Washingtoner
- Tallahassee Million-Dollar Home Sales Rise in 2026 as Median Selling Time More Than Doubles
- Longevity Leaders Project to Feature Hunter Ziesing of Global Health Atlas
- Spokane: SPD Arrest Male Suspected of Burglarizing Home in the Evacuation Zone
- Tacoma: Update Third Homicide Arrest – 2100 block of N 30th St
- Slotozilla Reports Strong Growth in Q2 2026
Mo developed the software specs and hired coders to code RockNTix, a platform where the venue or independent artist sells tickets directly without the service fees to help them more easily connect with their fans. A few months after it launched, COVID-19 hit, which meant no more live shows and no tickets to sell through his platform. The bump in the road only inspired Mo to adapt to the new times and embrace the digital world entirely.
"Necessity is the mother of invention," said Mo. "Since people were no longer able to go to the venues to see live shows, I decided to bring live shows to the people, and launched a new live streaming service called RockNTV where artists could perform online and upload their videos and music and earn an income, and people could watch safely from their homes."
Mo didn't stop there, he has now branched out into the Metaverse, where independent artists can now be seen by an even broader audience as the Metaverse grows.
Mo is changing the industry by giving artists and venues new ways to get in front of fans and a foothold in the Metaverse by allowing fans to experience live performances like never before.
More on Washingtoner
- Why U.S. Enterprises Are Replacing Fragmented eCommerce Stacks with AI Driven Platform Like Diginyze
- Flexible Plan Investments Names Carl Resnick President
- Tacoma: Statement by Council Member John Hines Celebrating Community Engagement on North Union Avenue Greenway Historic Designation
- Visit Spokane, City of Spokane Partner to Attract Film Production and Drive Economic Development
- Spokane: Public Service Announcement
"Not only are people able to continue seeing live performances, artists are able to perform, and venues are still able to sell tickets and thrive," Mo continued. "And now that we've introduced the Metaverse into RockNTV recently, people with new technology like the Oculus can really feel like they're at their favorite venue with their friends."
"But, how does RockNTix make money? Through ads. Companies like Meta and YouTube earn billions annually through ad revenue, and we expect RockNTix to follow suit as our user base grows," Mo added.
As a tech startup, RockNTix is currently seeking funding to begin a major marketing campaign to get the word out about RockNTix. "RockNTix will change the ticketing industry forever and become a global force by democratizing the way fans see their favorite bands," Mo added.
For more information, contact: https://rockntix.com/
Source: RockNTix
0 Comments
Latest on Washingtoner
- On the Boards: Proform Builds Announce New Construction in Gig Harbor
- Phinge Exposes Massive AI Security Risks, Claiming Its Patented Hardware-Verified Architecture Is The Only Safeguard Against Surveillance Capitalism
- Phinge & CEO Robert DeMaio Publicly Declare Cash Settlements or Judgments Alone Cannot & Will Not Remedy the Deep Public Harm of Infringing Its IP
- Dana Flanagan Expands the Authority Architect, Bringing a Nontraditional Approach to Executive Authority, Strategic Access and Business Growth
- Phinge's Netverse: Reclaiming the Digital Frontier For Everyone Through CEO Robert DeMaio's Vision of a True App-less, User Data Sovereign World
- DuraFast Label Company Launches Seiko SLP850 2" Thermal Printer with Free Label Promotion
- Scientific Figure Releases Free Layout Template Libraries for Graphical Abstracts and Research Posters
- Permian Museum announces the addition of an Ancient Alien Artifacts photo gallery
- VISION 2050 Award for Historic Tideflats Subarea Plan Presented by Puget Sound Regional Council at Tacoma City Council Meeting
- The Golden Jazz Fest Shuttle Returns for 2026
- City of Tacoma to Activate New Automated Enforcement Cameras Beginning September 14
- KeysCaribbean Resorts Offer Savings On Vacations Through Aug. 31, Preview Exceptional Select Fall Rates of Less Than $200/Night
- Covington Makers Market Returns Sept. 12 with Local Makers, Artists, Small Businesses & Food Vendors
- Fit Body Boot Camp Launches Nationwide 'Fit Body Forever' Workshops to Help Adults 60+ Rebuild Strength and Prevent Falls
- Canadian Aerospace Defence Talent Expo (CADTE) Launches National TalentThread Initiative to Strengthen Canada's Future Workforce
- 5.6 Million EUR in Q1 Project Awards for Integrated IoT Solutions / Data Analytics Subsidiary of Smart City Developer: Affluence (Stock Symbol: AFFU)
- Merger Advancement For Embodied AI Co in Robotic Systems Serving High Value Hospitality, Gaming & Real Estate Sectors: MBody AI Corp. (NAS DAQ: MBAI)
- Hollywood In Pixels Announces Honorees for The 9th Silver PIXel Awards
- New Research Finds a Good Deal Is All It Takes to Get Americans Booking a Last-Minute Vacation — and Most Already Have One on Their Mind
- GitKraken Introduces GitLens 19, Bringing Human and AI Workflows Together in One Workbench

