Trending...
- Arizona Pest Control Surpasses $200,000 in Contributions to Southern Arizona High School Sports and Education Programs
- OncoBeta Introduces Rhenium-SCT for Non-Melanoma Skin Cancer at Theageneio Cancer Hospital of Thessaloniki
- Spokane: City And County Seek Federal Grant to Plan for Road Network Wildfire Resilience
RockNTix Ignites a 'NO FEE' Ticketing Revolution and Competes with the Big Players
LOS ANGELES - Washingtoner -- Mo Abersheid, owner and founder of LA-based RockNTix – a startup that offers NO FEE event ticketing as well as livestreaming, video and music sharing services – discusses how he went from experiencing homelessness to building a platform to make live music more accessible to everyone. Mo discusses the importance of live music venues and how he created a way for people to continue seeing live shows and avoid the growing services fees charged by other ticketing platforms.
After a short time experiencing homelessness, Mo Abersheid was able to get himself back on his feet when he started to work at a small event venue in Los Angeles. As a lover of live music, he wanted nothing more than to enjoy it himself. Unfortunately, even with a job, Mo found that he and many of his friends were unable to afford the ticket service fees charged by the ticketing platforms used by LA's many live show venues in addition to the ticket itself.
"Everyone who wants to should be able to experience the magic of live music, so I thought that creating a ticketing platform would help bridge that gap of pricing. I asked the small venue I was working for if they would try out a no fee online event ticketing platform I planned to launch - they said yes - so that's exactly what I did," Mo added. "I had an opportunity to build a business and my employer could potentially be my first client."
More on Washingtoner
Mo developed the software specs and hired coders to code RockNTix, a platform where the venue or independent artist sells tickets directly without the service fees to help them more easily connect with their fans. A few months after it launched, COVID-19 hit, which meant no more live shows and no tickets to sell through his platform. The bump in the road only inspired Mo to adapt to the new times and embrace the digital world entirely.
"Necessity is the mother of invention," said Mo. "Since people were no longer able to go to the venues to see live shows, I decided to bring live shows to the people, and launched a new live streaming service called RockNTV where artists could perform online and upload their videos and music and earn an income, and people could watch safely from their homes."
Mo didn't stop there, he has now branched out into the Metaverse, where independent artists can now be seen by an even broader audience as the Metaverse grows.
Mo is changing the industry by giving artists and venues new ways to get in front of fans and a foothold in the Metaverse by allowing fans to experience live performances like never before.
More on Washingtoner
"Not only are people able to continue seeing live performances, artists are able to perform, and venues are still able to sell tickets and thrive," Mo continued. "And now that we've introduced the Metaverse into RockNTV recently, people with new technology like the Oculus can really feel like they're at their favorite venue with their friends."
"But, how does RockNTix make money? Through ads. Companies like Meta and YouTube earn billions annually through ad revenue, and we expect RockNTix to follow suit as our user base grows," Mo added.
As a tech startup, RockNTix is currently seeking funding to begin a major marketing campaign to get the word out about RockNTix. "RockNTix will change the ticketing industry forever and become a global force by democratizing the way fans see their favorite bands," Mo added.
For more information, contact: https://rockntix.com/
After a short time experiencing homelessness, Mo Abersheid was able to get himself back on his feet when he started to work at a small event venue in Los Angeles. As a lover of live music, he wanted nothing more than to enjoy it himself. Unfortunately, even with a job, Mo found that he and many of his friends were unable to afford the ticket service fees charged by the ticketing platforms used by LA's many live show venues in addition to the ticket itself.
"Everyone who wants to should be able to experience the magic of live music, so I thought that creating a ticketing platform would help bridge that gap of pricing. I asked the small venue I was working for if they would try out a no fee online event ticketing platform I planned to launch - they said yes - so that's exactly what I did," Mo added. "I had an opportunity to build a business and my employer could potentially be my first client."
More on Washingtoner
- Andrew Balzano Releases One of My Life's Passions: Classics and Mysteries, a Fan's Guide to Great Mysteries Worth Rewatching
- Spokane: City Details Veterans Day Schedule
- The 4th Annual Newark Summit for Economic Development, Placemaking & Innovation Returns on December 8th
- Romanian Software Company ASSIST Software Ranks Second Nationally Among Large Enterprises in Its Category
- Washington Nurse Introduces Nightingale Care Hub to Help Families Organize Care
Mo developed the software specs and hired coders to code RockNTix, a platform where the venue or independent artist sells tickets directly without the service fees to help them more easily connect with their fans. A few months after it launched, COVID-19 hit, which meant no more live shows and no tickets to sell through his platform. The bump in the road only inspired Mo to adapt to the new times and embrace the digital world entirely.
"Necessity is the mother of invention," said Mo. "Since people were no longer able to go to the venues to see live shows, I decided to bring live shows to the people, and launched a new live streaming service called RockNTV where artists could perform online and upload their videos and music and earn an income, and people could watch safely from their homes."
Mo didn't stop there, he has now branched out into the Metaverse, where independent artists can now be seen by an even broader audience as the Metaverse grows.
Mo is changing the industry by giving artists and venues new ways to get in front of fans and a foothold in the Metaverse by allowing fans to experience live performances like never before.
More on Washingtoner
- HIRO Ostomy Belt Launch by Richard O'Hamill
- New Omega-3 Fish Oil Under NIH Investigation: What Makes It Different From EPA and DHA?
- Flags Lowered for Spokane County Sheriff Deputies
- Technical Brief Examines Enterprise Integration Challenges as AI Agent Platforms Expand
- ARADIA (Est. 1991) Launches First B2A Partner Program for AI
"Not only are people able to continue seeing live performances, artists are able to perform, and venues are still able to sell tickets and thrive," Mo continued. "And now that we've introduced the Metaverse into RockNTV recently, people with new technology like the Oculus can really feel like they're at their favorite venue with their friends."
"But, how does RockNTix make money? Through ads. Companies like Meta and YouTube earn billions annually through ad revenue, and we expect RockNTix to follow suit as our user base grows," Mo added.
As a tech startup, RockNTix is currently seeking funding to begin a major marketing campaign to get the word out about RockNTix. "RockNTix will change the ticketing industry forever and become a global force by democratizing the way fans see their favorite bands," Mo added.
For more information, contact: https://rockntix.com/
Source: RockNTix
Filed Under: Technology
0 Comments
Latest on Washingtoner
- The Great Junk Hunt Returns to Monroe: Kick Off Your Holiday Shopping at the Ultimate Vintage Treas
- AI Trading Agents Track Aerospace and Defense US Stocks Amid Rising Technology Investment (SATS, GILT, TSAT, IREN, JOBY, LUNR)
- KOLBUS America, For All Of Your Hycorr Equipment And Service Needs
- Evluma's RoadMax Edge Roadway Luminaires Earn DarkSky Approved Status
- Heritage at Hopewell Announces New 3.875% Year-One Mortgage Rate Buydown Incentive on Quick Delivery Townhomes (7.11% APR)
- New TROP2 Research Breakthrough Strengthens REQORSA® Gene Therapy Story as Roche Collaboration Advances Precision Lung Cancer Treatment: Genprex, Inc
- Tacoma: Public Hearing for Off-Street Parking Code Update Set for December 1
- Rent a Truck or Hire Movers? New Data Shows Fuel Now Makes Up to 40% of DIY Moving Costs
- Spokane: SPD Makes an Arrest in Yesterday's Early Morning Shooting
- Spokane: Mayor Brown Introduces 2027-2028 Budget Proposal
- Club Wyndham Research Identifies the "Holiday Rewind Effect": 93% of Parents Recreate Their Own Childhood Holidays for Their Kids
- IEI Rugged IP66 Panel PC Brings Real-Time Visibility to Heavy-Duty Mining Fleets
- FDA Approval; Major Milestone for Preservative-Free Ketamine Ahead of FDA Goal Date for Treatment of Suicidal Depression by NRx Pharmaceuticals, Inc
- Building a Technology Powerhouse-From AI Drones and Global Acquisitions to Defense, Enterprise Software and the Future of Autonomous Operations $ZENA
- Shelter Structures America backs MATRA Second Life Project to turn retired tent vinyl into homes for displaced families
- P-Wave Press Announces Becoming Dad: Reflections for New Fathers by L. A. Davenport
- Logicraft Launches FuelDeck™, AI That Turns Aviation Fuel Tickets Into One Traceable Ledger
- Inaugural OC Tech Week Draws 3,000 From 12 Countries, Sends Finalist to $1M Startup World Cup
- Award-Winning American Hotelier Opens Art-Filled Luxury Cottage in Norfolk, England
- K2 Global / Ozi Amanat Named Among Top 100 AI Venture Capitalists in 2026

